Our choir is performing in the Pacific Baroque Festival in Victoria this weekend. In the month leading up to the festival they have a blog where performers, administrators and conductors can write their thoughts about the music, the time period...whatever :) I wrote a short spiel for it last year and was asked to write one again this year. I thought someone might find it interesting :)
This is the fourth year the Victoria Childrens Choir has performed at the Pacific Baroque Festival, although only the second year I have been involved. This year for the festival, we are performing a piece quite unlike anything I have sung before. Heinrich Ignaz Biber's Requiem in F minor is fascinating, to say the least. When singing or listening to it, one gets the feeling that Biber enjoyed playing with his audience, as well as his singers. He writes complex and challenging rhythms. There are harmonies that are a pure delight to sing, as well as ones that almost leave a bitter taste in your mouth as a singer. In some sections he takes a one- or two-bar phrase and repeats it many times, bringing it in and out of other melodies and phrases, having this section sing it, then this section, until, as my choir director put it, "It's like you're watching a five-team tennis match." In the 'Kyrie' section of the piece, one two-bar phrase is repeated 17 times in total. I find one section particularly challenging, for a number of reasons. The parts are set in a fast and complicated canon, and the rhythm has become fondly known as 'hemiola heaven.'
I have had the great pleasure and privilege of being one of the soloists for this performance. It has been an incredibly joyful challenge to work together with the other solists to find out how our voices blend, how each one stands out and how we can best add ourselves to what Biber has already done.
The requiem is in a minor key, but occasionally Biber brings in a melody or harmony that is distinctly major. It adds a contrast that is very joyful and adds a great deal to the piece. What I find especially interesting is how Biber chooses to end the entire piece, making the final chord F major instead of F minor. Because, of course, the piece was written to be sung at a funeral, it speaks to me of a desire to leave us with something hopeful, as if to say, "All is not lost." Indeed, the requiem's last words are "for You are merciful."
It is a great privilege to be able to add our voices to the masterpiece Biber created. I have fully enjoyed working on the Requiem and I am so excited to see all of you at the concert!
- Emma Gillespie, Victoria Childrens Choir.
This is the fourth year the Victoria Childrens Choir has performed at the Pacific Baroque Festival, although only the second year I have been involved. This year for the festival, we are performing a piece quite unlike anything I have sung before. Heinrich Ignaz Biber's Requiem in F minor is fascinating, to say the least. When singing or listening to it, one gets the feeling that Biber enjoyed playing with his audience, as well as his singers. He writes complex and challenging rhythms. There are harmonies that are a pure delight to sing, as well as ones that almost leave a bitter taste in your mouth as a singer. In some sections he takes a one- or two-bar phrase and repeats it many times, bringing it in and out of other melodies and phrases, having this section sing it, then this section, until, as my choir director put it, "It's like you're watching a five-team tennis match." In the 'Kyrie' section of the piece, one two-bar phrase is repeated 17 times in total. I find one section particularly challenging, for a number of reasons. The parts are set in a fast and complicated canon, and the rhythm has become fondly known as 'hemiola heaven.'
I have had the great pleasure and privilege of being one of the soloists for this performance. It has been an incredibly joyful challenge to work together with the other solists to find out how our voices blend, how each one stands out and how we can best add ourselves to what Biber has already done.
The requiem is in a minor key, but occasionally Biber brings in a melody or harmony that is distinctly major. It adds a contrast that is very joyful and adds a great deal to the piece. What I find especially interesting is how Biber chooses to end the entire piece, making the final chord F major instead of F minor. Because, of course, the piece was written to be sung at a funeral, it speaks to me of a desire to leave us with something hopeful, as if to say, "All is not lost." Indeed, the requiem's last words are "for You are merciful."
It is a great privilege to be able to add our voices to the masterpiece Biber created. I have fully enjoyed working on the Requiem and I am so excited to see all of you at the concert!
- Emma Gillespie, Victoria Childrens Choir.
Great review! Can't wait to hear it :)
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